Saturday, September 2, 2017

The Winner of Our Game of Thrones Finale Giveaway!

Wun Wun

As part of our Game of Thrones season finale celebrations last weekend, we threw a worldwide giveaway. The prize? A supersized 6-inch Funko Pop! Vinyl figure of the late and beloved giant Wun Wun, who perished so memorably in last year’s “Battle of the Bastards.” Hundreds entered the giveaway, and now a week later, it’s time to find out who is taking Wun Wun home!

The winner of the finale giveaway is…

Debster Ann Clarke!

Thank you to everyone who entered, and never fear- we’ll have more giveaways in the off-season because along with the news, the fun never stops at Watchers on the Wall. You can also keep your eyes peeled for the Watchers on the Wall Awards, decided on by you the fans, with public voting beginning to roll out in the next few weeks!

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Small Council: What did we think of “The Dragon and the Wolf”?

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Curtain Call: Aidan Gillen

Littlefinger

Aidan Gillen’s run as Petyr Baelish serves as an excellent reminder to us all that it takes a truly great actor to play a villain that evokes the kind of emotion that fans felt for Littlefinger.

This truth didn’t fully sink in until my elation over Baelish’s execution had settled a bit. I stopped cheering, I shook out my hands, which stung from clapping and then I realized, Wait … this means no more Aidan Gillen, doesn’t it?

For seven glorious seasons, Aidan Gillen delivered a performance as rich and varied as the psychology of Petyr Baelish himself. Simultaneously a cold and calculating puppet master and a pitiful little boy trapped in a man’s body pining for his childhood love, it’s difficult to imagine a character more layered than Petyr Baelish and Aidan Gillen conveyed each aspect of that dichotomous man brilliantly.

On a personal note, as much as I enjoyed watching Littlefinger wax mysterious about the nature of power and chaos (say it with me, everyone, “CHAOS IS A LADDAH”) my favorite Aidan Gillen acting moments will always be the ones in which Baelish felt the earth move under him, if only a little bit.

Littlefinger2

Though that final scene in which Baelish scrambled to play every last card in his hand to avoid execution-by-irony will always stand out, my most treasured moment remains Sansa’s confrontation in Molestown. Though the scene undoubtedly belonged to Sophie Turner, Gillen’s performance also stood out, as it was the first time we truly saw Baelish at a loss for words, reeling from a terrible miscalculation. I never tire of watching Gillen let the Littlefinger mask slip to show us the fallible Petyr beneath.

Littlefingerdidntknow

Though Game of Thrones may wind up being the show for which Gillen is best remembered in the long run, it wasn’t Gillen’s HBO debut. Before he was Petyr Baelish, Gillen was Mayor Tom Carcetti on The Wire. Though the frequent comparisons made between The Wire and Game of Thrones for both featuring complex social and political machinations might be a tad reductive (they’re both brilliantly written and executed shows in their own right), the contrast between the ambitious yet … eh, emotionally forthcoming Mayor of Baltimore and the evasive Lord Baelish is a stirring testament to Gillen’s range as an actor.

Gillen has appeared in a good number of blockbusters recently such as The Maze Runner franchise and King Arthur: Legend of the Sword. However, his next project will an independent film called James and Lucia set for release next year. Gillen will play the famed Irish author James Joyce as he struggles to care for his mentally ill daughter, Lucia.


For all of Petyr Baelish’s deviousness, Gillen always spoke of him with insight and empathy, even going so far as to pine mildly for the moral ambiguity of earlier seasons in which Baelish thrived, to Vanity Fair. So, I was pleased to learn in an interview with Entertainment Weekly of the memento he received from the Game of Thrones set.

I got my mockingbird pin. I had already let them know I wanted it, and I cleverly worked it so I got two. There’s one from my cloak and one from my tunic. So I got the large and the small size — one for me and one for my son.

Gillen was one of the few actors from season 1 remaining on the show, and the evolution of his performance over the years has been fascinating to watch. So, while I must admit I’m happy Littlefinger’s finally dead, I really am going to miss Aidan Gillen.

Gillen

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Friday, September 1, 2017

Eight Actors on the Season 7 Finale, Hivju Speculates on Tormund’s Fate, and Final Beautiful Death Poster Released!

Tormund Beric on the Wall episode 707

The long-promised winter is finally upon us, as well as the many Game of Thrones characters. Naturally, we are all sitting tight waiting for any news we can get about the upcoming season 8. But before we get too ahead of ourselves, I say we sit back and reflect on the sumptuous season 7 finale from which we are still reeling. If it’s any consolation during the long wait, the cast is just as anxious to get rolling on the next season as we are to watch them do it! Several of them (eight, to be precise), offer a little further insight into their characters’ ‘The Dragon and the Wolf’ storylines. Making Game of Thrones has assembled a plethora of actor quotes, in which those interviewed offer thoughts into the many friend/enemy/frenemey encounters and reunions that the finale had in store for us.

“The feelings she had about the Hound were very immature, and I feel like she’s grown up since then. If they met again, she’d hopefully just be an effective killer with him, rather than against him,” reflects Maisie Williams (Arya Stark) on the Hound’s conversation with Brienne. I hope that if Arya ever reunites with the Hound (fingers crossed for season 8!), they put their enmities aside (thanks, Davos), and revisit the buddy-comedy ‘Stark and the Hound’ duo we all know and love. (credit to our own Oz for that title)

Hound and Arya

“I didn’t see it coming. The way I acted it is, ‘It’s gone. I’m out. See you guys,’” says Pilou Asbæk (Euron Greyjoy) about his feigned exit during the meeting at the Dragonpit. In order to fully convince the other characters (as well as the viewing audience) that Euron really is ditching Cersei, Euron needs to act as if there is no trick up his sleeve…and clearly it worked as his backdoor plotting with Cersei surprised a lot of people (including myself).

Euron Dragonpit

“What they’ve got to offer is unique; something that no one else can bring to the table…Sam knows he and Bran possess skills nobody else will ever get. That makes this such an interesting partnership,” muses John Bradley, about the unique pairing of Sam and Bran. And he has a fair point – Bran is all-knowing, but only insofar as knowing what to look for, and Sam (with no small contribution from Gilly!) has lots of knowledge and historical tidbits tucked away in his brain. Together they could make an unlikely, yet surprisingly helpful pair for season 8.

7x07 Winterfell Sam Bran

Read the full article for more quotes from Jerome Flynn (Bronn), Alfie Allen (Theon Greyjoy), Isaac Hempstead Wright (The Three-Eyed Raven), Richard Dormer (Beric Dondarrion), and Kristofer Hivju (Tormund Giantsbane).


In an interview with Vulture, Kristofer Hivju plays coy on whether Tormund is alive or not, following the calamitous events of the episode’s final Wall-crumbling sequence.

1343232_MKT-PM_GOT_S7_TORMUND_PO

“Well, isn’t that the mystery? I don’t know! [Laughs.] Last time I saw him, I was inside a Wall, hundreds of meters of ice that was falling apart!”

With the hope that his character is still alive, Hivju is quite the optimist, and quotes his very poetic mother:

“…My mother said to me today, actually: ‘Forgiveness is the most difficult way to go forward, but it’s still the only way.’ You have to turn the page and let bygones be bygones. It’s nice to play a character who has that ability, because there’s so much revenge and the wish to kill each other in this show. It’s nice to have a character that’s able to turn the page and get the overall view. And it’s a skill of necessity, because you have to adapt or else you’re lost.”

He also shares some insight into what it was like shooting the sequence where the Wall collapses:

“Well, they built a fantastic set of the top of the Wall. We had real crows, real birds. And it was pretty cold in that studio. But you know, because I’d seen the army of the dead, I know what it is to imagine it.”

Same, Tormund. Same. I imagine our imaginations will only get wilder as GOT into season 8. Read the full article for the rest of the interview.


Lastly, the final Beautiful Death poster for season 7 has been released. Artist Robert Ball has shared his process for its creation:

“Petyr Baelish was one of my favorite characters, and if I were a betting man, my money would have been on him sitting on the Iron Throne at the saga’s end — which is why I never gamble, and why I was doubly upset when his schemes finally caught up with him…When I saw Littlefinger fall to the Great Hall floor, my immediate idea was to use the floor’s flagstones to make a web with Baelish finally caught in the lies that have spun out of control…Then I decided, as it’s the last poster of the season, to cram in as much symbolism as the image could take.”

Here’s the result of his labor of love, and what a treat it is:

MGoT_707_BeautifulDeath_Final

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From the Maester’s Desk: The True Enemy Is Here

Rise, numbers!

The article contains spoilers from ASOIAF, including a sample chapter of The Winds of Winter.


“The Other said something in a language that Will did not know; his voice was like the cracking of ice on a winter lake, and the words were mocking.”

A ranging beyond the Wall goes downhill fast after three sworn brothers of the Night’s Watch found more than they bargained for. Tasked with tracking some wildlings, young Will stumbles upon their corpses instead. But who butchered them? It doesn’t take long for the killers to show up and slay two of the rangers with ice blades.

Will falls to his knees, dismayed, and a dark figure throws something at him. It’s the head of one of the rangers, Gared. Before the screen fades to black, we hear voices that sound like cracking ice.

White Walkers do have a language! In the TV adaptation, it’s called “Skroth” and it was created by David J. Peterson, who also helped with the Dothraki and Valyrian languages.

Sadly, Skroth was dropped entirely from the show. Says Peterson:

“Basically, they just say, ‘Try to wow me.’ And then when my stuff doesn’t make it into the show, I figure, ‘Well, I failed.’”

I think the showrunners decided that the Night King and his lieutenants would be more scary if they remained silent. It is indeed unnerving to see those unnatural blue eyes and emotionless, dead-like faces.

There are noticeable differences, however, between the novels and the television show. The name was changed from Others to White Walkers, to avoid confusion with “the Others” from ABC’s Lost (who are mysterious but human nonetheless).

Their appearances also received an extreme makeover. Martin describes them as beautiful, like fairies or elves. That’s not the case with GoT’s White Walkers, and their gaunt, mummy-like looks. Certainly no one would mistake the Night King for Legolas!

Much like their book counterparts, the White Walkers have been lurking in the background for several seasons, increasing the size of their armed forces while the noble houses of Westeros wage war between themselves, ignoring the greater threat from beyond the Wall.

Fist of the First Men

The novels have released information about them in dribs and drabs, offering only small peeks. After their appearance in the prologue of A Game of Thrones, which kick-started the plot, they were absent from A Clash of Kings, reappearing in A Storm of Swords in spectacular fashion: the fight against the wights at the Fist of the First Men.

Season 3 of the show glossed over this event because of budget constraints, but one of its most memorable elements (the undead polar bear) found its way to the TV adaptation in episode 6 of Season 7 (“Beyond the Wall”).

After the fight, when the survivors were retreating back to Castle Black, an Other attacks and it is then when Sam earned his “Slayer” moniker, stabbing the creature with a dragonglass dagger. This moment was kept in the show, albeit portrayed in a different way, at the end of episode 8 of Season 3 (“Second Sons”) when Sam prevents a White Walker from taking Gilly’s son away.

Sam slays the White Walker

The scene wasn’t only an earned display of bravery from Sam, showing that he’s willing to risk his life to protect the people he cares about, but also showed that the White Walkers are vulnerable to dragonglass. Most importantly: they can be killed.

The Others didn’t make an appearance in either A Feast for Crows or A Dance with Dragons, the only exception being some wights during the latter’s prologue chapter, from the POV of Varamyr Sixskins. On the other hand, the show has been consistent in offering glimpses of the real enemy in every season. We got to take a look at the Land of Always Winter at the end of the fourth episode of Season 4 (“Oathkeeper”). We also saw the Night King for the first time, transforming Craster’s last son into a White Walker, thus confirming a long-running theory from the books.

The first proper confrontation came in Season 5, in one of the fan-favorite episodes, “Hardhome” (episode 8). Jon Snow and his crew barely survived the skirmish, but gained new allies and the knowledge that Valyrian steel can also kill the White Walkers. Plus, a hard look at what’s at stake if the army of the dead managed to march south, past the Wall.

Problem was, of course, that the Night King also managed to get some new recruits for his undead army.

The Night King as a character doesn’t exist in the books. So far at least. There’s indeed a character called the Night’s King, and when asked about it, George R.R. Martin played coy.

Children of the Forest Night King

The confirmation that the Children of the Forest are the ones who created the White Walkers (the Night King being the first of them), shot down the theory that the two characters may be the same, or somehow related.

In the novels, the Night’s King was a Lord Commander of the Night’s Watch during the Age of Heroes, according to the legends anyway. He fell in love with a woman who had ghostly-pale skin, as white as the moon and cold as ice, and shining blue eyes. Based on that description, fans theorize the woman was an Other. The Lord Commander declared himself king, and made the mysterious woman his queen, and together they ruled the Nightfort (one of the currently abandoned castles of the Night’s Watch), demanding unholy sacrifices, until Brandon Stark, lord of Winterfell, and Joramun, the King-Beyond-the-Wall, put an end to their reign.

Neither this story nor the characters have been mentioned in the show, but it is narrated by Rose Leslie in one of the “Histories & Lore” featurettes from the Season 2 Bluray, with a couple of slight variations: that the Night’s King found her lover buried in ice, and that such story was made up by the free folk.

The Night King character was probably invented as a way to give a distinguishable face to these major antagonists, to serve as a nemesis for Jon Snow, and for the audience to root against. He also gives a sense of organization and leadership to the whole thing, because otherwise it would most likely look like your run of the mill zombie invasion.

Wall - Eastwatch Breach 7x07 (29)

Season 7 closed with the army of the dead finally breaching the Wall, thanks to the Night King’s new mount, and starting to pour into the Seven Kingdoms. The Great War is finally here.

What’s going to happen in the six episodes of Season 8 is anyone’s guess. If I was a betting man, I’d say the first half of the season is going to be about the battle against the Night King and his army, and the latter half will be a final confrontation with Cersei and the aftermath of both conflicts.

Bran has been at the center of many theories regarding the endgame. Many people think he’s really the Night’s King (already shot down by Isaac Hempstead-Wright, and really, this bonkers theory should’ve never taken flight, considering we saw the ‘birth’, so to speak, of the Night King).

Another theory suggests Bran was the reason Aerys went mad, and that the “Burn them all” was meant as an indication of what to do with the wights. Personally, I do not buy it. The Mad King may as well have shouted “Dragonglass!”

Any way of ending the conflict by time-traveling and preventing the White Walkers from happening, doing a ‘reset’ so to speak, would be unsatisfying in my opinion. I trust these characters will find a way to deal with the problem in present time. Maybe Sam will find something important in all the material he took from the library before leaving with Gilly?

I do think it’s possible that Bran will somehow warg into undead Viserion. I’m not really sure if it’s possible to warg into reanimated dead beings, but it would be one way to force the Night King to land and fight on his feet. The other possibility would be Rhaegal and Drogon fighting and defeating their undead sibling. But if either of them (or both) die during the confrontation, what would stop the Night King from claiming them for his army? Two dragons, or even worse, three, would render him unstoppable.

My personal Bran theory goes like this: the characters strap wildfire jars to his wheelchair. Then they’ll trick the Night King into coming for Bran, only to pull an Hector Salamanca on him.

All right, that was cruel. But being serious, unless he finds an important clue in one of his visions (maybe in a flashback of how the Children and the First Men defeated the Walkers during the Long Night?), I feel the dragon-warging theory is the most likely, as to how he could help. It would also fulfill the long-running fan desire to see him “flying” in the form of something far more imposing than a raven.

All aboard the S.S. Jonaerys, whether you like it or not.

I think it’s likely that Jon will be the one who defeats the Night King, probably at the cost of his own life. If he does die during the battle, then maybe Beric Dondarrion will be able to bring him back the way he did with Catelyn in the novels. If not, then the hypothetical baby he’ll have with Daenerys will ensure the survival of House Targaryen. If Dany makes it to the end, that is- but I don’t think she’ll die. It is true that George said the ending would be “bittersweet,” but a victory for the Night King or Cersei would be a real downer. More bitter than sweet.

As to what’s in store for the Others in the books, George has promised that we are definitely going to see more of the Others. They do have to breach the Wall by the books’ end, if we consider that there’s only one more book after The Winds of Winter. Unless there’s a change of plans and an eighth book materializes.

An undead dragon (or an ice dragon) seems like a given, because I doubt the showrunners would have diverged from the story only to wink at fans who really wanted to see one. It is possible that there isn’t one in the books, but I don’t think it’s likely. Whether it is one of Dany’s dragons or not, remains to be seen. As discussed in my previous article, the Wight Hunt most likely won’t take place in the books, but that doesn’t mean the Others won’t get their hands on one of Dany’s precious fire-breathing children in some other way.

701 - King's Landing - Euron 6.

Perhaps the Greyjoys will be the ones who unintentionally make it happen, with the Dragonbinder horn. This horn, said to be made with one of the horns of a dragon, was allegedly found by Euron Greyjoy in the ruins of Valyria. Euron wins the kingsmoot with the promise that he’ll conquer Westeros by taking control of Dany’s dragons with the horn.

Whoever blows the horn dies (as we see when one of Euron’s men blows it and then collapses and dies later, with his lungs black, as if they were burnt), but the dragons will obey the horn’s master.

Victarion Greyjoy, a character that didn’t make it to the show, is currently in possession of the horn, and just reached Slaver’s Bay with the Iron Fleet, according to a sample chapter for The Winds of Winter.

If we assume there won’t be an undead dragon, that leaves us with the Horn of Winter, or Joramun’s Horn (there are lots of horns in this story, right?). It is said that this legendary horn (that hasn’t been found so far) can bring down the Wall, which turns it into a Chekhov’s Horn of sorts.

It can be only a story, or maybe the Others have it and will use it to destroy the icy barrier.

Should they have no Horn of Winter and no undead dragon, they can always climb the Wall with their ice spiders. Sadly, the spiders didn’t make it to the show, but arachnophobes around the globe sure are grateful. They sure sound cool in theory, but I can agree that the budget is better invested in the dragons and battle sequences. I mean, poor Ghost didn’t show up in the entirety of Season 7 (which is fine for me. A missing Ghost is a living Ghost. I do not want him to become a coat for the Night King).

Jon will definitely lead the charge against the Others in the novels, but his allies surely will be rather different than those in the TV adaptation. Tormund seems obvious, but the rest is more difficult to guess. Beric is dead, Thoros is with the Brotherhood and Lady Stoneheart (same for Gendry) and Davos is off trying to find Rickon Stark (this right here most likely means that the book version of “The Battle of the Bastards” will also be rather different. It is indeed interesting to realize how much ground there’s left to cover in the novels, whereas the show is about to reach the endgame). Whenever worlds collide in Martin’s story, I do not doubt it’ll be different than the screen version.

Baby White Walker

There’s much about the Others (and the White Walkers) that I doubt either the books or the show will answer, such as how their society works. Unless they only dedicate themselves to marching and killing anything that moves. How do they raise the baby Walkers? That is, Craster’s sons, after they’ve turned. Unless they grow up ridiculously fast, surely someone needs to take care of them.

I suppose they don’t need to sleep, to eat or to satisfy many other needs, but they aren’t reanimated corpses either.

Why aren’t there any female Walkers? It can be assumed that it’s because Craster only gave the boys up, so he could keep the girls, but was Craster their only provider? Is there a gender limitation to their magic, or some kind of bias? They don’t seem to be finicky when it comes to reanimated corpses for their wight army. Do they have a sense of humor, albeit a cruel one, or do they only laugh to make their victims feel nervous?

Nevertheless, it’s ok with me if we never find out the answers to these and many other questions regarding these creatures, since it adds to their mystery. When these sort of things get disassembled, and every part of them is explained, they stop being scary. Whatever makes the Night King tick (a desire for vengeance, or just an experiment gone awry?) I hope the show showrunners don’t reveal it.

I for one cannot wait for when the Night King unleashes the storm, despite it being more than a year away from our screens. I hope our beloved characters are ready for it!

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Callbacks and Easter Eggs in “The Dragon and the Wolf”

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VFX reels show the magic behind the lens in Game of Thrones season 7

Viserion and the Night King bringing down the Wall at Eastwatch is just one of many spectacular visual effects created for "Game Of Thrones" throughout its seven seasons.

Viserion and the Night King bringing down the Wall at Eastwatch is just one of many spectacular visual effects created for “Game Of Thrones” during season 7.

Not wanting to peek behind the Game Of Thrones curtain is understandable — knowing the ins and outs of visual effects and other behind-the-scenes details can take away some of the magic of what’s supposed to be a fantasy world. However, bringing you news and info about ALL facets of the realm is part of what we do here at Watchers on the Wall, so we’ve rounded up a few VFX reels your viewing pleasure.

Mackevision has a clip highlighting how the visual effects team for Thrones manipulates a group of 20 or so Unsullied into looking like thousands and how Euron Greyjoy’s ship Silence was created by computer:

Zoic Studios‘ VFX reel features the creation of a lot of interiors, like the throne room at Dragonstone, the hallways of the Citadel and the inside of the dragonglass cave, layering the greenscreen over the set pieces to give us an idea of what was built and what was generated:

In addition, Rodeo Visual Effects, who worked with HBO for the fourth year in a row on Thrones, has photos from the set with sliders that reveal what it looked like to film and what the finished product looked like for viewers — including the sea battle between Euron Greyjoy’s Iron Fleet and the Targaryen-loyal Greyjoys and Martells, the army of the dead approaching the Wall, and Viserion spewing blue flame with the Night King on his back (I’M NOT CRYING YOU’RE CRYING):

Filming the battle between the Iron Fleet and the Targaryen ships (right) and the finished product in the episode (left).

Filming the battle between the Iron Fleet and the Targaryen ships (right) and the finished product in the episode (left).

The army of the dead added via special effects, showing their approach to the Wall.

The army of the dead added via special effects (left), showing their approach to the Wall.

As impressive as the scene was of Viserion and the Night King taking down the Wall (left) in episode 7, the reality was filming in front of a green screen (right).

As impressive as the scene was of Viserion and the Night King taking down the Wall (left) in episode 7, the reality was filming in front of a green screen (right).

Special thanks to Ryan Neuner for submitting the VFX tips!

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