Game of Thrones wins awards for visual effects, audio and costume design

This past week has been a good one for Game of Thrones. Episodes from season 8 won awards at the Costume Designer Guild Awards, the Cinema Audio Society Awards, and the Visual Effects Society Awards.

At the Costume Designer Guild awards on Tuesday, Michele Clapton won for costume design excellence in Sci-Fi-Fantasy Television. This is the fifth time Clapton has won this award (she also won for best Period or Fantasy TV Show back in 2014 before they split the categories). However, unlike previous years, designers submitted and were judged for a single episode that best reflected their body of work. Thus, Clapton received her sixth CDGA for her designs for “The Iron Throne.” The full list of nominees and winners is a available at Deadline.

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The Cinema Audio Society Awards were held on January 25 where the Game of Thrones’ sound team won for excellence in a 1 hour television series, specifically for season 8’s penultimate episode “The Bells” (which, now that I think about it really is the perfect title for an episode of television that wins an award for its audio).

Production Mixer – Ronan Hill CAS

Production Mixer –Simon Kerr

Production Mixer – Daniel Crowley

Re-recording Mixer – Onnalee Blank CAS

Re-recording Mixer – Mathew Waters CAS

Foley Mixer – Brett Voss CAS

You can read the full list of nominees and winners here.

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Finally, yesterday at the 18th Annual Visual Effects Society Awards, hosted by comedian Patton Oswalt (for the 9th time!) at the Beverly Hilton, Game of Thrones, as expected, lost a few awards to The Mandalorian, but it still went home with two of the six awards it was nominated to.

Carlos Patrick DeLeon, Alonso Bocanegra Martinez, Marcela Silva, and Benjamin Ross’s work on the Red Keep Plaza in “The Iron Throne” won them the “Outstanding Created Environment in an Episode, Commercial, or Real-Time Project” award, while the dragon ground battle VFX in “The Long Night”, created by Mark Richardson, Darren Christie, Nathan Abbott, and Owen Longstaff, was awarded with “Outstanding Compositing in an Episode.”

If you want to take a look at the other winners, click here.

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