Friday, May 31, 2019

On the Fandom Road: A FaB Farewell

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So this is it, the last post in a long journey of posts.

Let me start with the end before I end with the beginning: I am leaving you all, gentle readers. This is my Watchers farewell.

It’s been real, it’s been fun; sometimes it’s even been real fun! But all good things must end. Valar Dohaeris, yes, but ultimately Valar Morghulis. I regret nothing.

Now then. Let’s go back to the start, as Chris Martin once crooned. I’m a huge nerd, which is shocking to most of you, I know! I’m also 50 years old, which places me in the upper tier of GoT fans, longevity wise. (I still quietly curse Pat “The Usurper” Sponagle for his single-year seniority!)

My love for Dungeons & Dragons predates my love for anything that I still currently hold any flame for, short of perhaps chocolate milkshakes. Somewhere in the early 00’s, Dragon Magazine published one of its monthly issues, and this one came with a twist:

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This issue had largely dedicated its content to a series of fantasy novels written by George R. R. Martin. The Red Witch Melisandre was there on the cover, glowing in her usual sultry fashion, and the issue’s contents- from monster stats to intriguing plot points- left me with a distinct thirst for more.

I soon picked up A Game of Thrones, the one with the silver and blue cover, raven-haired Jon Snow riding a proud steed through some northerly hinterlands, a crow over his shoulder and loyal white wolf by his side. Like most of you I was hooked by the end of the first chapter. I then devoured A Clash of Kings, and A Storm of Swords

From there it was on to the Westeros forums, where I met other rabid fans of this gritty, realistic fantasy world. (Nerd points to anyone who recalls my username over at the Worg.) The series pilot was announced by HBO, and Phil “Winter” Bicking put up a post that basically said, (Philadelphia accent implied) “Yo, any of you nerds gonna start a Game of Thrones TV show website?” A week later, after what amounted to crickets chirping as a response, Phil came back with a link to his brand new HBO Game of Thrones fan site! To assist, he asked Marko aka “Hear Me Roar” (because he’s super intelligent) and Myself “FaBio” Me (because… I’m funny?), and the rest is, as they say, history.

And man, the tales I could tell. We got in on all the good early stuff. I’ve been to two premiere parties, three launch parties, and got to see snippets of the first season; I got to meet the David Benioff and Dan Weiss, Peter Dinklage, Sean Bean, and George R.F.R. Martin himself, and that was all before the first episode was up on HBO. (I’ve actually met George on six different occasions; Phil and I both made such an impression on him that he thanked us both on the A Dance With Dragons acknowledgements page. Seriously, I should frame that shit.). I’ve interviewed over half the main cast, and I call a few of them close personal friends.

FaBio-and-Maisie-game-of-thrones-25949386-1900-1285Hell, I’ve hung out with the lovely Kristian Nairn more times than I can count. I was even briefly stared down and loomed over by Charles Dance. (Long story.)

It’s been good. I went from “Curtain Call Guy” to the “Twitter Post Guy,” and through WiC and WotW and Twitter have met some of the most amazing people—people I now regard as the truest of friends.

My time in the fandom isn’t done… but from now on I’m gonna be one with the plebes, satisfied with watching the prequel(s) and reading any future ASoIaF content on the “rabid fan” sideline like everyone else.

Will I still be a loyal Watchers on the Wall reader? OF COURSE, YOU FOOLS! You probably already know this, but this is the best Game of Thrones fan site out there, bar none. We have the best writers. I challenge you to find me a nerd site with better ones!

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I have thanks to give aplenty. I hope Phil Bicking and Marko know how much I appreciated them for their partnership and, most of all, their friendship over the years. I wouldn’t be here without them. I also want to thank all the amazing writers here at Watchers. I go into my GoT twilight knowing there are far better writers than me ready to pick up the slack:

Luka, you salient San Sebastián smartypants, thank you for your help and guidance; if I ever need any help in anything internet-related, I will still contact you, because I’m dumb and you’re not.

Bex, my erstwhile partner in crime (and future karaoke rival), thank you for being you: an utterly unapologetic Cersei stan, and the inventor of the DRUNKALYPSE, the funniest Tumblr that ever was or will be.

Vanessa, thank you for not only your lovely presence, but your art as well. Both are equally inspiring, and I count you as a fine friend.

Samantha, thank you for not only for inviting me onto your most excellent podcast, but for being a like-minded nerd (despite that Steelers-fan thing) as well as the great future mom we both know you will be. Girl, you get me.

Lady Geoffery, thank you for making me laugh so hard I once snotted onto my keyboard. Seriously! Oh, and also for being a newly-minted Los Angeles Ram fan. You’ll thank me… at some point. (And lo! Geoff has a tumblr too, so y’all go check that!)

David, thank you for being the sizzling New York ball of fire we all love. Flame on! (Check out more of Sir Squinty’s writing here!)

Petra, my wee fellow Theon stan and (shockingly!!) axe-chucking superior, thank you for your passionate, thought-provoking prose. (Y’all, Petra has a YouTube channel. She rarely posts there, but when she does the content is brilliant.)

Akash, you fine, dapper man, thank you for speaking out for those who may not have your boldness or talent; I will continue to troll your twitter feed for the shade you throw, and your instagram for the style you bring.

Pat, thank you for being the (ahem) elder statesman I wish I was! You’re Lawful Good, so I must therefore content myself with being Awful Good. (And check it, nerds, he doesn’t just write about GoT, so check out Pat’s site! Yes, it’s filled with GoT stuff, but he occasionally writes about um, dogs!)

Hogan, thank you for being that brilliant artist I wish I could have been. (True story: I was already a gigantic fan of his—and then lo and behold he goes and starts writing for our site?! Kismet! Check out Hogan’s fashion site, y’all!

Joe Magician, thank you for being one of the best YouTubers in the business. (And PEOPLE, Joe Magician has a PATREON! Give him a Careless Whisper and get on it for the early saucy content!)

A special thank-you goes to Tina, our sometimes-shy “Dame Pasty,” for being that shoulder I could lean on; your advice was always timely and greatly appreciated.

My deepest thanks goes to Sue, my furious foil and, honestly, the snarlingly blunt kind of Editor-In-Chief this site needs. She’s a detail-driven demon of a woman with whom I’ve oft clashed (our “artistic differences” are, shall we say, sometimes at odds)… but all the best editors are required to put their writers in their place, and lord, I’ve earned a few thumps. I’ll be buying her a drink or two at Con of Thrones, NEXT MONTH, so she can sock me in the shoulder in person for all the snit fits I’ve thrown. She has a Tumblr! Go tumbl with her, peeps!

My final thanks goes to Oz, the most courteous and caring boss I’ve literally ever had. He invited me to Watchers with open arms, and talked me into sticking through some of the tough personal times. Oz, it was a blast meeting you at Con of Thrones. It was a hard thing to do, finally admitting you had more to offer Kate Dickie than I, but I take defeat graciously and (dare I say) humbly.

(I’m not saying Kate’s final preference pushed me towards retirement, but I also won’t say I wouldn’t still be writing here if Katie had but chosen meeeeeeee….!)

Speaking of which… Yes, I’ll be in Nashville for Con of Thrones next month, as I said. And I expect to see a lot of you there. I’m friendly, and only bite in the early morning hours. Come up and say hi!

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Peace out, nerds. Spread a little love, give your pets a little kiss, and be excellent to one another! BYEEEEEEEEEEEEEEE!

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Netflix and Baskin-Robbins team up for Stranger Things ice cream

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Game of Thrones VR experience coming to Viveport Infinity

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Dragons and Things: LIVE Pathfinder Twitch Show – 6pm Pacific

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Toby Osmond talks about his Dornish Prince character from “The Iron Throne”

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Sophie Turner on saying goodbye to Sansa and what’s next

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Netflix wraps filming on The Witcher season 1

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WiC Watches: Good Omens

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Tyrion WAS mentioned in Ebrose’s book! Check out the props from “The Iron Throne”

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Four new Harry Potter ebooks are coming

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Video: An alternate ending to Game of Thrones, and other funnies

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Harrison Ford thinks Indiana Jones should die when he does

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Maisie Williams compares “trash” scripts she’s read to Game of Thrones

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Thursday, May 30, 2019

Miranda Richardson “thrilled” to be part of Game of Thrones prequel

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The Writing on the Wall: Has the Wheel Been Broken?

(9) Courtesy of HBO

The ending of any story is equally steeped in the ending itself and a contemplation of everything that came before it. It is why such a heavy weight is imparted upon the conclusion of a story. Not only does it have to carry itself as an episode of television but it also has to sufficiently honor the narrative foundations that led to its creation in the first place. It is a tricky balancing act and few series, if any, have ever achieved that perfect ending. Whether or not the ending to Game of Thrones accomplishes both critical beats is going to be debated for quite some time, in part a consequence of its legacy as a true pop culture phenomenon.

There are a plethora of ways to try and understand what the series has accomplished or fallen short of. As a writer, I’m inherently drawn to what the series was ultimately trying to say through its themes, its characters, its plot. What was this series ultimately about? Some would say that Game of Thrones is about the corruptibility of power. Others would say that it is about how attempts at breaking the systemic wheel can quite easily slip away and reinforce the wheel if one lacks caution. An oft heard refrain is “it’s all about tits and dragons.” My takeaway from Game of Thrones, in that sense, is a mixed message, much like my reaction to the last couple of installments that ended the series.

The central concern of Game of Thrones has always been about the question of power. That question has most obviously become a central concern for the show via the jockeying for the Iron Throne, potentially fiction’s most uncomfortable literal seat of power. Similar conflicts, albeit on much smaller scales, occurred from seats of power in Essos, Dorne, and the Iron Islands. But there were more damaging conflicts of power occurring between characters themselves. Even more intricate conflicts of power were the ones that George R. R. Martin referred to as “the human heart at conflict with itself.”

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In season two, when the series had more time to explore the intricate questions of power, Lord Varys (Conleth Hill) said that power is a curious thing that resides where men believe it resides. To illustrate his point, he talked about a tale centering around a tale of three powerful men and a sellsword. One of those men is a king. Another is a priest. A third is a man of wealth. Each of them in turn offers the sellsword something for killing the other two in the room. Clearly, there is no love lost between the three of them. The king doesn’t offer much to the sellsword except for the notation that he is, in fact, the king. The priest offers some form of religious salvation, the deed of double murder a slight wrinkle in the whole holy pathway to heaven thing. The wealthy man offers him gold.

The question of actual power is what Varys is hinting at, the central trick in the question that originally drove the storytelling in Game of Thrones. The king of course represents the power of the law and the government. The priest represents the power of organized religion. The wealthy man represents the banks, the power of wealth and class, and perhaps capitalism if you take the allegory that far. Those three pillars of civilization, if you will, often seem impenetrable. The might of government, religion, and banks historically always seem to be until they’re not. In Game of Thrones, we saw a partial recognition of that reality when the poor of King’s Landing decide to rise up in season two and envelop the capital in riots.

When Daenerys Targaryen (Emilia Clarke) tells Tyrion Lannister (Peter Dinklage) that she desires to break the wheel, she has a point. The power cycles of Westeros have often led to wanton destruction of the most powerless as everyone scrambles to sit on the Iron Throne. The Baratheons, Starks, Lannisters, Tyrells, and Targaryens have been culpable in that cycle of power. Olenna Tyrell (Diana Rigg) understood just as much. She was acutely aware of the power that the common people had as a collective, damn the government, gods, and gold. She counseled fear as a ruling tactic and pointedly reminded Tywin Lannister (Charles Dance) of the necessity for a public spectacle with the Purple Wedding. When the spectacle ends, the masses will find other, more revolt-oriented entertainment.

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The complication in such an analysis is often tied to where one sees themselves in that power structure. It is often easy to see the necessity of breaking a system while not analyzing one’s own role within that system. When Yara Greyjoy (Gemma Whelan) talks to Daenerys about the role the Iron Islands will play in such a system, Daenerys agrees to their independence. It’s a step that signals her seriousness in breaking the wheel. When she arrives on Dragonstone, she readies herself for the conquest of Westeros. She relies in part on the advice of her advisor and Hand of the Queen, whose formative experience as Hand of the King should have come in handy. It did not.

Tyrion makes one major miscalculation after another. Daenerys snaps and becomes Queen of the Ashes. Jon Snow (Kit Harington) assassinates her in a nauseating scene and departs for the lands north of the wall. What remains behind in the Seven Kingdoms is a power vacuum. The clichéd adage goes that nature abhors a vacuum of any sort and the melted Iron Throne in King’s Landing is no exception. The choice that is faced by the respective leaders of Westeros is quite simple: they must decide what the nature of leadership looks like post-the Last War (although it is hardly likely to be the last, all things considered). The reality of making that choice should be fairly complicated.

It isn’t. In a sequence full of players we know and those we have never seen before, there is not much of a discussion as to why Bran should or should not be king. Sansa wisely brings up the note of succession (a note over which many a war have occurred) and stakes her claim as an independent Queen of the North. But otherwise all it seems to take is a persuasive speech from Tyrion for the other lords to agree that a union of six kingdoms was the best option. Yara’s (Gemma Whelan) quest for independence gets lost in the mix. The realpolitik that defined some of the show’s best moments (think of the scene where Tyrion drags his chair in the Small Council chambers) is largely nonexistent.

Perhaps the more important question is, what does Game of Thrones ultimately say about power? What, if anything, comes of Daenerys’s stated desire to “break the wheel?” While other characters may not have repeated the exact phrase, they certainly shared some sense of wanting to pursue something different from the system that had put the Mad King, Robert Baratheon (Mark Addy), and Cersei Lannister on the Iron Throne. For now, it seems that they may not have achieved that after all.

(4) Helen Sloan - HBO

Whether or not Bran will be a good king is largely an open question. It becomes a complicated one when one considers him being the Three-Eyed Raven. But let’s move beyond the central figure for a moment and look at the larger picture. There is still a king, albeit of six kingdoms and not seven. There is still a Small Council largely dominated by men with two vacant positions surely not to be vacant for much longer. It is difficult, beyond the names of some of the families in power, to sense there being much of a difference from what came before.

Samwell’s (John Bradley) suggestion that the people of Westeros, who have long been sufficiently fucked by the nobility, should have a direct say in their own governance, the nobles chuckle as they are wont to do. It is the closest anyone has gotten to overturning the wheel in its entirety but it would perhaps have been too much of a change in Westeros for it to come across as narratively plausible. The system selected then, is an oligarchical appointment of a king and an annual check-in process. For now, anyhow.

In Lord Varys’s riddle about the sellsword, there is no clear cut answer about who has the most power because it inherently depends on your perception of the reality of power. If you agree with Tyrion’s answer, then the ruling class is sitting upon a brittle foundation of power. It breaks, or at least cracks, when the common people realize its fragility. From the perspective of those people (whoever is around at this point), there was another war between the nobility that wreaked havoc across Westeros and now they have to rebuild their lives while another noble boy sits the metaphorical equivalent of the Iron Throne. Everything has changed yet very little has.

I can say that the wheel is ultimately intact, perhaps even reinforced. It may have charred and cracked in certain senses, but the ultimate power structures remain relatively intact. The question then becomes whether or not Game of Thrones has ultimately answered the question of whether or not the wheel of power can be broken with a resounding “no.” That depends on your perception of where the power lies and just as importantly, how long it will remain there, intact. Perhaps it will remain there for ten years, ten, or a hundred. What it certain is that the wheel at some point or another will shake once more and this time the trembles may break it apart at last.

Valar Morghulis.

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Game of Thrones featurette highlights Arya Stark’s action scenes

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Joe Dempsie (Gendry) was expecting backlash over the Game of Thrones finale

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Sights and sounds from Disney’s Star Wars: Galaxy’s Edge theme park

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John Bradley talks about Sam’s new role as Grand Maester

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Watch the gorgeous first trailer for The Dark Crystal: Age of Resistance

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Emilia Clarke thanks Game of Thrones fans for SameYou charity donations

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Isaac Hempstead Wright: Bran becoming king is George R.R. Martin’s idea

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A Game of Thrones interactive slots casino game is coming

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Cast members share behind-the-scenes pics from The Last Kingdom season 4

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Exploring the layered meanings of Sansa Stark’s coronation gown

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Bran’s fate in Season 8 comes directly from Martin, reveals Isaac Hempstead Wright

Bran Stark King Red Keep King's Landing Season 8 806 Iron Throne

Author George R.R. Martin himself said recently that, given the days-long conversations about the ending he had with showrunners Benioff and Weiss years ago, the end of Game of Thrones wouldn’t be “that different” from what he has planned for future books in A Song of Ice and Fire. However, some who disliked the controversial ending held out hope for a different endpoint altogether, not just a different execution. One of these contentious points was Bran becoming king of the now Six Kingdoms; a twist that, according to Isaac Hempstead Wright (Bran Stark), comes straight from Martin!

At the official Making Game of Thrones blog, Isaac discusses his reaction to King Bran the Broken, saying it was “the very last thing” he “expected to happen.” In fact, for a while he didn’t believe it would: “I was convinced they had sent a script to everyone in which they become king or queen, so I still didn’t believe it until the read-through.”

Once he got past his suspicions, though, the actor liked that choice: “I think he is a great character to take on that role. You never thought of him in that way, but what more could you ask for in a king than to have no personal attachments, no agenda, but have a calm understanding of the entire universe? He’s the ideal person to be in charge.”

And here comes the big revelation:

“[Showrunners] David [Benioff] and Dan [Weiss] told me there were two things [author] George R.R. Martin had planned for Bran, and that was the Hodor revelation, and that he would be king. So that’s pretty special to be directly involved in something that is part of George’s vision. It was a really nice way to wrap it up.”

There’s much more to the interview, which I suggest you read in its entirety here.

Bran Stark King Red Keep King's Landing Season 8 806 Iron Throne Podrick Brienne Bronn Tyrion

This so-called revelation will not come as a surprise to those who have read Martin’s words quoted at the top, or the showrunners’ oft-repeated claims that, though there were no more of Martin’s published words to follow, they were following his outline (which, may I remind you, though only an outline, it took days to recount in detail.) And yet, given some of the reactions I’ve read to the ending, with some people utterly convinced Bran will not become king in the books (amongst other major events in season eight and the finale in particular), I’m sure some people will be shocked by this.

All hail King Bran the Broken! Long may he reign!

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Wednesday, May 29, 2019

New trailers for Swamp Thing and Jessica Jones season 3

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Stranger Things 3 finale is “the most moving thing we’ve ever shot”

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Nikolaj Coster-Waldau explains why Jaime returned to Cersei

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Download Game of Thrones season 8 and get additional special features

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Chris Hemsworth feels “energized” over the idea of more Thor movies

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The Record-Breaking Final Season of Game of Thrones is Now Available on Digital Download!

(1) Courtesy of HBO

Game of Thrones is over but you can relive it all over from beginning to end, as Season 8 is now available to own on Digital Download. In addition to the series’ last-ever six episodes, the purchase includes the extraordinary two-hour documentary Game of Thrones: The Last Watch, directed by filmmaker Jeanie Finlay, and two bonus featurettes: “The Long Night” and “The Final Season”.

The extra content for the Season 8 Digital Download includes:

  • The Final Season: “Join the cast and crew of Game of Thrones as they reflect on the final season of HBO’s epic, Emmy-winning series. Interviews include show runners David Benioff and D.B. Weiss, along with stars Peter Dinklage, Emilia Clarke, Lena Headey, Kit Harington, and many others.”
  • The Long Night: “Join Game of Thrones show runners David Benioff and D.B. Weiss along with many of the major stars and behind-the-scenes players as they look back at the colossal filming that was the Battle of Winterfell in Season 8, episode 3. This special spotlights the weaponry, lighting, special effects and more that went into the making of this unforgettable episode.”

This is great news for fans who hold off on watching the show entirely until they can binge all at once- yes, I actually know people who have this level of self-control. Go forth and download away! Enjoy the season all over again, ye pirates, and tell us about those bonus features, or dive in for the first time if you’ve been waiting for season 8 to wrap up, for a good binge! The Long Night is over and summer is here. Enjoy!

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Sophie Turner would have been “disappointed” with any other ending for Sansa

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Stars step out for the world premiere of Amazon’s Good Omens

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Sophie Turner and Nikolaj Coster-Waldau reflect on Game of Thrones, defend Season 8’s controversial Sansa and Jaime scenes

Sansa Stark 806 Season 8 Queen in the North

There have been many post-mortems about Game of Thrones since the series finale aired, some by the cast members themselves. Today we bring you what I believe are two particularly strong interviews with Sophie Turner and Nikolaj Coster-Waldau, in which they reflect on the end of not only an era of television but of their lives, and defend two controversial choices made by their characters, Sansa and Jaime, in this final season.

At The Wrap, Veep’s Tony Hale and Sophie Turner discuss the end of their respective HBO shows, with Turner telling us about her final scene (Sophie’s, not quite Sansa’s), which happened to be the series finale’s Dragonpit Great Council, filmed in Seville:

“It was a scene that we had been shooting for five days straight in the sun in Spain,” she reveals. “So I kept going between the feeling of, ‘God, I can’t wait for this scene to be over,’ and, ‘Please don’t ever let this end.'”

“When it came to the very final shot, [showrunners] Dave and Dan do this thing where they present each of us with the storyboard of their favorite scene of your character, and then say some lovely words about you in front of the cast and crew. I just broke down crying, and I was inconsolable for three or four hours. It was probably one of the saddest days of my life. And I don’t think I’m done with my crying yet.”

Sophie is also asked about a scene in “The Last of the Starks”, the fourth episode right after the battle against the dead, in which Sansa and Sandor reconnect. Some viewers interpreted Sansa’s words to mean that she believed Ramsey raping her had made her the woman she was now. Turner vehemently disagrees with this interpretation:

“I think that absolutely it was not so much the assault — what made her the person she is today, the politician and the manipulator, was the mentality, not the things that she went through. She made a conscious decision to stay quiet, to keep learning, to keep absorbing information from all of these people who are manipulating her or keeping her captive. It’s a wonderful thing to see a sexual assault survivor grow from that, and see her turn into this political leader she is today — but no, the rape is absolutely not a plot device to make the character seem stronger. The sexual assault made her resilient, but by no means has it made her this wonderful character that we see today. It absolutely broke her, and we saw that on screen. But seeing her thriving is so wonderful to see.”

Cersei Jaime Lannister Red Keep Season 8 806

At the official Making Game of Thrones blog, Nikolaj Coster-Waldau essentially makes the case that it couldn’t have ended any other way for Jaime, as much as we all wish that could have been the case and that he had stayed with Brienne:

“In a different world, Jaime would’ve stayed with Brienne. What he has with Brienne is something different — it’s a very pure, innocent love. There is a part of him that wishes he could not be who he is. It’s one of those things we do in Game of Thrones: you have this idea of what you want these characters to do — it’s supposed to end well for these two, they’ve been through so much together — but that’s not how it goes.”

“Gwendoline [Christie] was so moving in that scene. She did an amazing job of conveying that Brienne had finally found happiness she’s never had, and it’s just taken away from her in a brutal way. It’s very true to who these characters are. His staying in Winterfell is unrealistic. Cersei is the most important person in his life, whether he wants her to be or not. The idea that he was going to just let her die alone is too horrible for him.”

“His whole life has been about trying to protect Cersei, and trying to be close to her,” Coster-Waldau continues. “He loves her — it’s unconditional love, it’s so ingrained in him. [In season five] Bronn asks him, ‘How do you want to go?’ Jaime says: ‘In the arms of the woman I love.’ That is where he dies. That scene had so much weight.”

“The whole world is falling down around them; it’s a poetic thing. When we were done filming, it was so emotional — more so than my last scene, [which was the fight with Euron]. My hope for those final moments between Cersei and Jaime, is that even though people want her dead, it still leaves a sour taste in their mouth.”

Though many dislike that sour taste, it’s how I believe Jaime’s story had to end, if you’ll allow some editorializing. His story was always going to be a tragedy, and a tragedy doesn’t just mean we’re all sad in the end. It’s more than that. It’s more than the fact that he couldn’t have a happy ending, which most critics of his death probably agree with anyway. For it to be a proper tragedy means that Jaime’s ending had to be self-inflicted. The tragedy was always within himself, not with terrible things happening to him.

That is, I believe, something that those trying to offer alternate endings to Jaime are missing. If Jaime had died without outwardly rebuffing all that makes him good in the eyes of Brienne (and of many of us) in an effort to save his sister and lover, it would’ve been quite sad, I’ll grant you, but it wouldn’t have been a tragedy of character. Not to stir up the hornet’s nest, but the same applies to the many attempts I’ve seen at trying to engineer a way in which King’s Landing still blows up but without Dany’s agency, thus freeing her ethically from her war crimes. That’s just not the story they were telling.

Back in the interview, Nikolaj leaves us with a happy ending, for him if not for Jaime:

“I love working with Lena and we always had such an amazing experience together. l look back at what she has done on this show and it’s amazing.”

It is amazing, Nikolaj, and we’ll all miss you, and you and Lena, too!


Finally, still at Making Game of Thrones, we’re shown in more detail the two books we saw in the series finale, which made quite a splash (and resulted in many memes, too).

First, there is Maester Ebrose’s A Song of Ice and Fire, which was of course titled by Sam:

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There’s also the White Book, in which the great deeds of the Kingsguard are recorded by the Lord Commander of the Kingsguard – in Jaimes case, by Ser Brienne of Tarth, in a bittersweet scene I have been envisioning for years and did not disappoint:

mgot-806-props-book-brothers-02-1024x576

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Sadly, these prop photos don’t include Brinne’s additions to Jaime’s entry into the book, so we’ll have to make do with what we saw on-screen, which, I remind you, was this beautiful memorial of Jaime’s entire (albeit curated) story in Game of Thrones:

Captured in the field at the Whispering Wood, set free by Lady Catelyn Stark in return for an oath to find and return her two daughters.

Lost his [hand; rest of page missing]

Took Riverrun from the Tully rebels, without loss of life.

Lured the Unsullied into attacking Casterly Rock, sacrificing his childhood home in service to a greater strategy.

Outwitted the Targaryen forces to seize Highgarden. Fought at the Battle of the Goldroad bravely, narrowly escaping death by dragonfire.

Pledged himself to the forces of men and rode north to join them at Winterfell, alone.

Faced the Army of the Dead and defended the castle against impossible odds until the defeat of the Night King. Escaped imprisonment and rode south in an attempt to save the capital from destruction.

Died protecting his Queen.

Let’s have a little cry together, shall we?

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Game of Thrones composer Ramin Djawadi “still in denial” after series finale

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What does Brandon Sanderson think of how Amazon is change The Wheel of Time for TV?

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Theon Greyjoy is finally getting his own Funko Pop!

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Star Wars: Galaxy’s Edge will blow a Death Star-sized hole in your wallet

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Take a Bow: Isaac Hempstead Wright

bran-stark-1

The old adage is never work with children or animals, but with a character like Bran Stark, Isaac Hempstead Wright had to be both!  He might have been one of Game of Thrones’ most unlikely players, but here’s to the actor who took us all on his journey from curious child, to Three-Eyed Raven, to ultimately being the king of Westeros.

When we first meet Bran, he’s a sweet-natured innocent whose only crime is climbing too high and scaring his mother.  It seemed unbelievable to me, an Unsullied viewer during the show’s first season, that this cute kid would become one of the linchpins of the entire series, nor that this his clambering antics would have any consequences other than giving Catelyn the heebie-jeebies.  His discovery of Jaime and Cersei together sets off a change of events that will alter the course of the Westerosi landscape.

Bran Stark winterfell

In his early appearances, Hempstead Wright is remarkably adept at balancing the emotional sides to his character.  His bitter realisation that he will never walk again and declaring that he’d rather be dead is utterly distressing as are his tragic scenes with Theon in Season Two, asking the man he grew up with as family whether he hated him the whole time.  Bran’s scenes with Maester Luwin, Osha and Old Nan provide viewers with much needed exposition and back story which help to flavour the extraordinary world this show is set in.  At the same time as he’s playing a tutored child, Hempstead Wright is already giving us glimpses of what was to become his fate as the Three-Eyed Raven; it’s an exceptionally mature and accomplished performance from such a young actor.

Hempstead Wright takes us with him on Bran’s journey to learn more about his mystical abilities.  Guided by Jojen to use his warging and green-seeing powers, this is a magical twist in Bran’s tale that might have seemed outlandish or out of place if it wasn’t for an assure but understated performance from Hempstead Wright.  It becomes clear the viewer that Bran’s destiny lies beyond being the heir of Winterfell and is something far greater, as his visions begin to offer us tantalising glimpses of Westeros’ past and future.

BranRaven

I’d almost forgotten, when I came to writing this article, that Bran didn’t appear on our screens for an entire season, so much was his presence felt throughout the show.  When he returned to us in Season Six,  Hempstead Wright has almost become a proxy for the audience; as he learns about the events which shaped his world, so do we. Through Bran we learn about the Tower of Joy, Jon Snow’s true parentage, the creation of the White Walkers and, of course we are witness to one of Game of Thrones’ most tragic and unexpected twists, the origin of Hodor.

Bran is now a changed man, and Hempstead Wright puts in an eerie, almost sinister performance in his final seasons, having finally become the Three-Eyed Raven.  Playing a character who can experience everything, except emotion, seemingly, is not an easy task, but one he manages with aplomb, becoming a calming and occasionally chilling presence among the chaos of the last few episodes.

I’m still not sold on Bran the Broken as a title (Bran the Badass would have been much cooler and still alliterative, let’s be real) but I was absolutely sold on him becoming king.  He’s ushering in a new era and a new style of leadership, and while his experiences may not be what one would immediately look for in a ruler, his was undoubtedly one of the greatest stories from our time in Westeros.  Plus, as one of the most consistently positive portrayals of a disabled character in fantasy fiction, I was thrilled to see Bran gain legitimate acceptance and recognition from his peers.  Hempstead Wright took us on an extraordinary journey with Bran, with what was unarguably one of the most emotionally complex characters on the show, and it’s one I can’t wait to revisit when I watch the show over again.  All hail King Bran the Badass! (or Broken. Whichever!)

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Tuesday, May 28, 2019

Kit Harington reportedly in rehab

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Netflix speaks out against Georgia’s abortion legislation

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Gwendoline Christie posts pic of her last day on set, says goodbye to Game of Thrones

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Chernobyl: Fact vs Fiction in “The Happiness of All Mankind”

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Game of Thrones horse mistress prepares for HBO’s prequel show

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WiC Reviews: John Wick 3 is the greatest movie ever made

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“Bark-nado,” and other things to look forward to on Rick and Morty

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Gwendoline Christie (Brienne) weighs in on the Game of Thrones backlash

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The live-action Akira movie has a release date

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Jason Momoa was once too broke to fly home while filming Game of Thrones

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Elizabeth Olsen once auditioned to play Daenerys Targaryen, and it didn’t go well

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How historically accurate is AMC’s The Terror?

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Monday, May 27, 2019

Emilia Clarke on why she turned down the lead role in Fifty Shades of Grey

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The Night’s Cast Episode 23: Series Finale, “The Iron Throne,” Recap and Reactions

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All hail the Starks — can we safely say they won the game of thrones? I think we can.

Well…it’s come and gone, folks. The series finale of the most epic, incredible series we’ve ever seen splash across our TV screens. We here at The Night’s Cast, the official podcast of Watchers on the Wall, have had time to let our Thoughts and Opinions marinate, and this week we recap and react — for the last time — to Season 8, Episode 6, “The Iron Throne.”

Join Axey, Vanessa and Samantha as they talk through happy endings, not-so-happy endings, their feelings on the show coming to an end, and what being a part of the incredible fandom has meant to them.

The Night’s Cast will be taking a short hiatus until July, when we’ll be recording a live episode at this year’s Con of Thrones in Nashville! Please join us in person if you can (you can get $25 off General, Valyrian and Kingslayer passes until the end of the day today) or keep an eye out for the recording to be released the week of July 15!

The podcast is available on iTunes and SoundCloud, and you can follow us on Twitter as well. Happy listening!

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Is Westworld season 3 a “reboot” for the show? HBO weighs in

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Video: One second from every episode of Game of Thrones

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“The Long Night” script sheds light on Arya killing the Night King

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Kit Harington’s heartfelt speech on his last day of filming Game of Thrones

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Best moments from Game of Thrones: The Last Watch

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Sunday, May 26, 2019

WiC Weekly: May 18-24

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Game of Thrones fans raise tens of thousands for Emilia Clarke’s SameYou charity

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The Final Tweetdown – The Final Finale

(24) Courtesy of HBO

This is the FINAL Finale Twitter post!

After everything was said and done…

There was still much to be said.

Jenny.

Y’ALL.

Yes, but could you be more specific?

Goddamned prequels!

That’s… something!

“Soon.”

Later…

LOL I WISH.

People still had plenty to discuss.

rood

And a queen, if you count the fact that he led his sister to an inescapable (?) death beneath the Red Keep!

Tales were shared, and I LOVED it!

Fans had a lot to say, and much of it was fond farewell:

And more:

Amen.

Here’s something from one of our long-timers:

I like to think I add MORE chaos to the chaos, but thanks!

Ten woulda been better than six. It is known.

loooooooool

These words are also truth.

People discussing who had the best moments in the finale:

Weird, honorary factoids were broached.

Kudos came in from around the globe:

METAL UP, LADS.

More thanks from cast, crew, etc.

There was much speculation about the future of these characters…

Oof.

…HMMMMMMMMMMMM.

And some final farewells:

So that’s that. My last Twitter post is finished. I want to thank everyone at Watchers for their support, and want to thank all the Game of Thrones fans for their enthusiasm (on Twitter and in the comments section to these posts—I read ’em all!) and their love. Means the world to me.

Nine years ago when I begat Twitter posts over at our first site, Winter-Is-Coming, I never thought they would be so partnered to the viewing enjoyment of so many.

They were a lot of work, but ultimately rewarding; just combing through hashtags and feeds was like digging up buried treasure.

Oh, and here’s a final reward:

No way to top that. We done.

Go home.

Nerds.

WHY are you still here??

Fin.

P.S. I love you all. It was a great run. PEACE.

P.P.S. REMEMBER TO VOTE! Ya filthy animals.

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